Celebrities Project: Grace Kelly

Andy Warhol, Grace Kelly, 1984. Screen print in color. This print was created two years after Grace Kelly's fatal car accident.

I have really enjoyed Grace Kelly month, not only because she was an interesting person, but I also felt like there was a manageable number of films to watch (see post on her films HERE)! I also enjoyed learning about her interest in created pressed flower collages, and I'm glad that her creativity found a way to manifest itself in a visual form (see my post on her collages HERE).

I think Grace Kelly is a very classy and tasteful person, and I've really enjoyed following her sense of fashion in the exhibition catalog for Grace Kelly - Style Icon show at the V&A museum in 2010. I personally prefer the clothes that she wore in the 1950s and 1960s. I love her wedding dress though, especially with the detail of the row of small buttons that extends from her neckline to her waistline. However, I think she was a victim of the times when it comes to the fashion of the '70s and '80s, and some of her outfits (like this one or this one) are a little too gaudy for my taste, as well as her overly-elaborate hair coiffures. 

Grace Kelly and Audrey Hepburn backstage at the 28th Academy Awards on March 21, 1956

As I learned about Grace Kelly this past month, I thought of a lot of parallels between these women.  (No doubt I was influenced in making parallels because I read Donald Spoto's biography on Grace Kelly, and I had also read his biography on Audrey Hepburn a few months ago.) Not only were they fashion icons, but they also had similar aspirations to become mothers and both women retired from their careers after either marrying or becoming pregnant. Both of these women had complex relationships with their fathers, too. Grace Kelly's father never thought that Grace would amount to very much (he favored her older sister) and he consistently expressed his bafflement when Grace was successful in stage and film productions.

What struck me most about Grace Kelly was that she was consistently described by people who knew her and worked with her as a genuinely sincere, nice, and kind person. I've thought several times during this month about how this is such a tribute to her as a person, and how I would like people to think of me this way. Here are some comments that Grace Kelly made about being kind and respectful, and also what others said about her:

• "You know, I just love Grace Kelly. Not because she was a princess, not because she was an actress, not because she was my friend, but because she was just about the nicest lady I ever met. Grace brought into my life as she brought into yours, a soft, warm light every time I saw her, and every time I saw her was a holiday of its own." - James Stewart

• "I've always treated my children as beings in their own right. I respect their feelings and aspirations entirely." - Grace Kelly

• "I would like to be remembered as someone who accomplished useful deeds, and who was a kind and loving person. I would like to leave the memory of a human being with a correct attitude and who did her best to help others." - Grace Kelly

Grace Kelly Films

I've been watching Grace Kelly's films this month, in the order in which they were released, and last night I finished the last one she made before retiring (right before her marriage to Prince Rainier of Monaco). Some of the films I intentionally chose not to watch (and one I couldn't finish because it was so boring), but I will present them in order. In Grace Kelly's short seven-year career, she made eleven films before retiring to marry Prince Rainier of Monaco.

Film #1: Fourteen Hours (1951) - I didn't watch this whole film, because Grace Kelly appears in the film for about two minutes altogether. She appears for a few seconds in the beginning (see 14:12 in this clip), and then later in a scene in which a couple rethinks signing their divorce papers.

Film #2: High Noon (1951) - This film is described as "a Western for people who don't like Westerns." I think that's a pretty accurate description! Grace Kelly's role was a little limited in this film, and as a result she didn't have much opportunity to give a great performance. But I did think she was able to convey some depth to her character in one scene with the actress Katy Jurado:

Film #3: Mogambo (1953) - This was the one film that was so boring that I had to turn it off after about an hour. The movie was very slow paced and the screen writing was just awful. Grace Kelly's performance wasn't that great either, and I think it partly has to do with the poor screenwriting. She also didn't have a lot of substantial lines (at least in the first hour that I saw), and the amorous glances she gave to Clark Gable were silly.

Film #4: Dial M for Murder (1954) - I still feel like Kelly serves as a backdrop and catalyst for action on part of the main (male) characters in the film, but there are some really convincing and intense scenes in this movie. The scissors scene (when Kelly stabs her attacker) is very intense. This scene was filmed over and over in order for Hitchcock to get the effect that he wanted. Not only was this physically and emotionally draining on the actors involved, but Hitchcock himself allegedly lost twenty pounds in filming this scene and trying to get it right.

Film #5: The Bridges at Tokyo-Ri (1954) - I chose not to watch this complete film, partly because Grace Kelly's role was rather minor and partly because I don't really think William Holden is that compelling of an actor. But I did see this amusing clip of the family swimming in a bath house in Japan. I think Kelly gives a good sense of her comedic timing here, even in this short clip.

Film #6: Rear Window (1954) - This is one that I skipped because I've already seen it several times. This is clip of my favorite moments of her from this film. I think she has such an elegant and classy demeanor, with just the right hint of wit:

Film #7: The Country Girl (1954): This is the film for which Grace Kelly won an Academy Award in 1955. I have to say, that I think she really does give one of her finest performances in this movie. I like that she intentionally chose to look dowdy and unattractive - it was even her idea to wear her own glasses in the film. Her acceptance of this role really showed me that she didn't want to be just a glamorous blonde untouchable icon (which Hitchock wanted her to be), but she was willing to embrace a variety of roles, costumes and demeanors. Bing Crosby gives one of the most vulnerable and emotional performances I have ever seen, particularly the scene in his dressing room near the latter part of the film; it definitely is the best acting that I have ever seen him do.

Below is one of the more poignant scenes in the film, although I wish that the Grace Kelly didn't kiss the other male character in this scene - I understand how it is important for the plot but I feel like it ruins the moment:

Film #8: Green Fire (1954): This is one that I intentionally didn't watch because Grace Kelly thought that the film was terrible and she was embarrassed about her participation in it.

Film #9: To Catch a Thief (1955): This is another one of my favorite Grace Kelly films. I like the banter and dialogue that she and Cary Grant parry back and forth, and I learned that a lot of the dialogue between them was improvised. They have great energy and a dynamic that keeps the rhythm of the film more fast-paced and engaging. She also has some really great dresses in this film, particularly her blue evening dress.

Film #10: The Swan (1956) - This movie is entertaining and has some really fun comedic moments (like the curtsy shown about 2:00 in this clip). Grace Kelly's fencing is also pretty impressive, too! Her character is a little reserved and boring at the beginning of the film, but she becomes much more of an interesting character as the film continues. It's also interesting to watch this film, knowing that this is the first film that Alec Guinness made in Hollywood (I think he looks a bit like David Niven in this role as the crown prince).

Film #11: High Society (1956) - This film was made after Grace Kelly's engagement to Prince Rainier. MGM offered her wardrobe from the film as a wedding present, and she even wore her own engagement ring in the film. One favorite moments in this film is when she sings with Bing Crosby. I think she has a nice alto voice and they blend nicely. In Grace Kelly's biography by David Spoto, he writes that her lighter, less trained singing voice is akin to Audrey Hepburn's voice in Moon River, but I disagree. I think that she has a more stable tone and purer sound than Hepburn.

The other scene in this movie that I love is when Grace Kelly tries to be an eccentric wealthy woman when she meets the reporters from Spy magazine. Her sense of comedy is really entertaining and fun:

Later on in life, after becoming the Princess of Monaco, Grace Kelly made another film called Rearranged (1979). She actually plays herself, the Princess of Monaco, in the film. To date, it hasn't been released by Grace Kelly's family, but i hope they decide one day to share this short film with Grace Kelly fans.