The other night, J and one of his long-time friends were watching the first Batman movie (1989) at our house. I didn't watch the movie with them, but I could hear their commentary from the next room. During the scene when Batman and the Joker have their final showdown in Gotham Cathedral (see above), K commented something like, "I wonder how other shows there are that have scenes with towers. It seems like there are a lot."
I thought this was an interesting comment, and I've been thinking about it lately. I can think of lots of movies that include tower scenes (often as part of the film climax), bell towers, and tower/bell tower imagery. When K made his passing remark, I immediately thought of Hitchcock's movie
Vertigo (1958, see below), which culminates in a bell tower scene (see
here and
here).
And what about
the clock tower scene in
Back to the Future? ("Save the clock tower, save the clock tower!") As a kid, I also remember feeling anxious during
the clock tower scene (in Big Ben) of
The Great Mouse Detective (see below).
Side note: Interestingly, towers aren't always the location for climaxes, but their imagery is often incorporated into films. Big Ben is probably the best example. Tonight I came across
this blog post which is a compilation of films in which Big Ben
makes a cameo appears in the movies.
So here's my question: Why the obsession in film with towers, bell towers, and clock towers? What makes this setting so appropriate for the climax in a story? Is it because the height (climax) of the plot is visually emphasized through the height of the tower? Or, in a less metaphorical way, is it because of the physical height that is involved (to make the acrophobic in the audience nervous)? Or perhaps because towers usually only have one entrance/escape route (to make the agoraphobic in the audience nervous?) Or maybe the threat of lightning striking the tall structure? Or does it have something to do with what clocks and bells represent (i.e. the passing of time, the death knell, etc.). Perhaps towers embody all of these things, and I've answered my own question?
What do others think? Are there other reasons why towers are appropriate for climax scenes? And what other movies (or books!) do you know that include "showdown scenes" or climaxes located in towers? At present, the closest book scene I can think of is the
"Lightning Struck Tower" chapter in
Harry Potter and the Half-Blood Prince, the scene in which Snape kills Dumbledore. There is also
a scene in the film made from the book, too.
Oh, there also is a great rooftop scene described at the end of Jane Eyre, after the insane Mrs. Rochester set the house on fire. But that's not a tower scene. I just felt like writing about it. Interestingly, though, Mrs. Rochester is locked away in the attic in the actual novel, but the
Masterpiece Theatre film version elected to place the crazy woman in the North Tower.
1 Perhaps the director felt that towers better embody mystery and doom?
What is the earliest example of a "tower showdown scene" can you think of? The historian in me wants to trace a historical trajectory for this trend. Could Hitchcock have been a trendsetter for this type of scene with Vertigo, at least when it comes to film? It seems like there must be earlier examples, though!
1 Since I mentioned the attic in Jane Eyre, I thought I should mention that a few years ago a secret cell was discovered at Norton Conyers, the 16th century home thought to be the the location for Bronte's "Thornfield Hall." This has nothing to do with towers, obviously, but I think it's interesting.
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